Nam June Paik was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use of the term "electronic super highway" to describe the future of telecommunications. Wikipedia
Nam June Paik’s experimental, innovative, yet playful work has had a profound influence on today’s art and culture. He pioneered the use of TV and video in art and coined the phrase ‘electronic superhighway’ to predict the future of communication in the internet age.
This major exhibition is a mesmerising riot of sights and sounds. It brings together over 200 works from throughout his five-decade career – from robots made from old TV screens, to his innovative video works and all-encompassing room-sized installations such as the dazzling Sistine Chapel 1993.
Born in South Korea in 1932, but living and working in Japan, Germany and the US, Paik developed a collaborative artistic practice that crossed borders and disciplines. The exhibition looks at his close collaboration with cellist Charlotte Moorman. It also highlights partnerships with other avant-garde artists, musicians, choreographers and poets, including John Cage, Merce Cunningham and Joseph Beuys.